How Bi Gan pulled off the most technically impressive movie scene of the year - The Verge

The Art of Cinematic Storytelling: An Exclusive Interview with Director Bi Gan

In the world of filmmaking, few directors have managed to push the boundaries of cinematic storytelling like Bi Gan. The Chinese auteur is known for his visually stunning and emotionally charged films that often explore themes of loss, memory, and the human condition. One of his most striking achievements is the 30-minute unbroken tracking shot in his 2017 film, Resurrection.

In this exclusive interview, we sit down with Bi Gan to discuss the making of Resurrection, the inspiration behind its iconic tracking shot, and what it takes to create a truly unforgettable cinematic experience.

A Masterclass in Cinematic Storytelling

Resurrection is a poignant and visually stunning drama that tells the story of a young boy's journey to find his missing mother. The film is set in 1980s China and explores themes of loss, memory, and the complexities of human relationships. Bi Gan's use of long takes and innovative camera techniques adds to the film's emotional impact, making it a must-see for cinephiles.

The 30-minute tracking shot that opens the film is particularly noteworthy. This breathtaking sequence follows a young boy as he travels through a deserted landscape, his footsteps echoing through the stillness. The shot is both mesmerizing and unsettling, drawing the viewer into the world of the film and refusing to let go.

The Inspiration Behind the Tracking Shot

So, what inspired Bi Gan to create such an ambitious and innovative tracking shot? According to the director, the idea for the sequence came from a combination of practical considerations and artistic vision.

"We wanted to create a sense of flow and continuity that would draw the audience into the film," Bi Gan explains. "We knew that if we could capture one long take, it would be like a dream sequence that would transport the viewer to another world."

Bi Gan worked closely with his cinematographer, Yu Lik, to develop a plan for the tracking shot. They spent hours scouting locations and rehearsing the sequence with the cast and crew.

"We wanted to create a sense of realism and authenticity," Bi Gan says. "We chose a location that was both beautiful and desolate, with a landscape that seemed to stretch on forever."

The Challenge of Capturing Reality

One of the biggest challenges facing Bi Gan and his team was capturing the reality of the tracking shot. With no cuts or editing, the sequence had to be perfectly executed from start to finish.

"We knew it wouldn't be easy," Bi Gan admits. "We'd never done anything like this before, and we weren't sure if it would work."

To overcome this challenge, Bi Gan's team spent weeks rehearsing the sequence with the cast and crew. They worked on perfecting every detail, from the actors' performances to the sound design.

"We knew that the most important thing was to create a sense of flow and continuity," Bi Gan says. "We wanted to make sure that the audience would be completely absorbed in the world of the film."

The Power of Long Takes

Bi Gan's use of long takes is a hallmark of his filmmaking style, and Resurrection is no exception. The 30-minute tracking shot is just one example of his innovative approach to cinematic storytelling.

Long takes have been used by filmmakers for decades, but Bi Gan has taken them to new heights with his bold and unafraid approach to the medium.

"I think long takes are an incredible tool for filmmakers," Bi Gan says. "They allow us to capture a moment in time that would be impossible to achieve with traditional editing techniques."

Bi Gan's use of long takes adds depth and complexity to his films, drawing the viewer into the world of the story. It also allows him to experiment with new camera movements and techniques, creating a truly immersive cinematic experience.

A New Era for Chinese Cinema

Resurrection is just one example of Bi Gan's contributions to Chinese cinema. The film has been hailed as a masterpiece by critics and audiences alike, showcasing the country's growing talent and creativity in filmmaking.

Bi Gan's work is part of a new era for Chinese cinema, one that is characterized by innovative storytelling, bold experimentation, and a willingness to push the boundaries of what is possible on screen.

"We're excited to be part of this movement," Bi Gan says. "We believe that cinema has the power to change people's lives and shape their perspectives."

Bi Gan's commitment to innovation and creativity is inspiring, and his work with Resurrection is just one example of his dedication to the art form.

Conclusion

Resurrection is a testament to the power of cinematic storytelling, showcasing Bi Gan's innovative approach to filmmaking and his ability to create unforgettable moments on screen. The 30-minute tracking shot that opens the film is both mesmerizing and unsettling, drawing the viewer into the world of the story and refusing to let go.

As we look to the future of cinema, it's clear that Bi Gan and his fellow filmmakers are pushing the boundaries of what is possible. With Resurrection, they're giving us a glimpse into a new era for Chinese cinema – one that is characterized by innovation, creativity, and a willingness to take risks.

Whether you're a seasoned cinephile or just starting to explore the world of film, Resurrection is a must-see. It's a masterclass in cinematic storytelling, with Bi Gan at the helm.